“I take most of my inspiration from artists outside of hip hop and incorporate it into my sound which (hopefully) makes my stuff stand out a little bit. I take a lot of influence from Progressive Rock, Jazz Fusion, Ambient and early Electronic music. “
Daryl Donald
Listen to Solitude
I was blessed to be introduced to some new music a few months back from Edinburgh based producer Daryl Donald. This debut album ‘Solitude‘ incorporates some welcoming laid back neo soul/jazz and hip hop instrumentals on top of some expert producing skills. I planned to share this when I first had it but didn’t get around to it. After a few months, I’m still loving the ambient vibe, the breaks and samples. For me, it’s aptly titled; it invokes a nostalgic feel that takes me back to when uchi started and is great music for working on creative projects. Check it out.
A great day at the Independent Label Market in London’s Old Spitafield’s Market with One and t’other, an independent London based clothing brand documenting urban and underground music. It’s so good to meet up with brands that are passionate about their art and as like-minded as you. When the motivation is based on mutual respect for the culture and not just sales, it encourages a more productive attitude, ultimately strengthening a brand and bearing more fruit in the long run. Plus it’s much more enjoyable.
Shout out to One and t’other. Check them out. .
It’s the end of the sixth uchi album of T shirts. All but two of the designs on this as yet untitled album are music related. I am pleased that these last two designs follow the music theme, with a particular focus on vinyl.
There are a couple of new designs that were going to be included, but were not finished in time. On reflection it worked out fine. The two unfinished pieces are very illustrative and more like designs in the pipeline than the ones recently done. So, maybe the next album will be all illustration? We’ll see.
Here are the latest two uchi vinyl-related T shirts and the stories behind them…
Founded in 1968, the British founded Trojan Records has one of the most iconic and recognisable logos and a host of equally iconic and renowned artists under its belt.
From reggae, ska, rock steady and dub, its endurance is a testament to the music and culture. We haven’t included the complete list of all the artists that appeared under Trojan Records, but hope we’ve caught a few of everybody’s favourites.
For me, growing up in a house full of reggae records has made the Trojan logo as recognisable as the Nike swoosh, but with a ton of more meaning. It’s no coincidence that they also use a heavy robust and solid typeface like Rockwell Extra Bold.
Although a reggae specialist Payback Records have a great selection of non-reggae vinyl. Their HipHop section is featured on The Big Payback T shirt. Coincidentally, the record store is named after the 1989 EPMD track of the same name; perfect uchi. I was unaware of this connection before I added the type. The Big Payback is one of my favourite EPMD tracks and is somewhere in the stack of old school vinyl in the image. In the shot, I’m actually standing in Payback Records.
If you’re a fan of the late legendary Hip Hop/neo soul producer J Dilla, you’ll know how much he is loved around the world as a prolific producer, beat maker and musician. He has produced tracks for the likes of Slum Village, The Roots, Janet Jackson, A Tribe Called Quest, De La Soul, Busta Rhymes, Erykah Badu, The Roots, The Pharcyde… The list is as huge as his respect from fans and artists alike.
Many of my favourite Hip Hop joints have been produced by J Dilla, aka Jay Dee, despite not always being aware at the time he was the producer. Recently, I dug out some of my Erykah Badu and D’angelo albums (amongst others), just to listen closer to that ‘Dilla’ sound, the smooth breaks with that organic feel that made me instantly like them so much. That’s the beauty of true authentic art. You’re not meant to notice the technicalities or the cracks and imperfections, but it’s those things that make them so special and stand shoulders above the rest.
Legendary J Dilla
J Dilla first made his mark as a producer for Slum Village, in his home town of Detroit and in the early 2000s went on to have a solo career and collaborations. Anyone will tell you that this only skims the surface of his catalogue. I won’t go into details, I would suggest you listen to anything he was involved in and go from there. You’ll discover the enormous amount of praise and respect he receives and recognise it was all well deserved. Needless to say, his status amongst artist, fans, beat makers, vinyl seekers, musicians and those that ‘know’ is that close to a deity.
Upon his untimely death in 2006, he had already amassed a huge collection of production credits on a variety of diverse projects. He is widely regarded as “one of the most influential Hip Hop artists” and a “producers favourite producer”.
Sadly, after suffering for a long time with the blood disease thrombotic thrombocytopenic purpuran, in February 2006, J Dilla died at 32 years old. His legacy lives on. His dedication to his craft is legendary. Stories about his beat making methods, his mastery of equipment and rolling up to gigs in his wheelchair have given him cult status and inspired musicians worldwide. J Dilla underground beat tapes have being circulated and bootlegged, tribute albums have been produced and his work has been translated for a 60-piece orchestra.
Timeless – Suite for Ma Dukes
Miguel Atwood-Ferguson (Mochilla Presents): Timeless: Suite For Ma Dukes (The Music Of James “Dilla” Yancey)
This orchestrated homage to J Dilla’s work, brings me to why I’m writing this.
Timeless – Suite for Ma Dukes – composed and arranged by Miguel Atwood-Ferguson in 2009, pays tribute to Dilla, interpreting his work into sublime orchestral pieces. It features artists such as Bilal, Common, Dwele, Karriem Riggins, Posdnuos, Talib Kweli and more. Timeless – Suite for Ma Dukes is, as well as everything else Dilla put his hand to, well a worth a listen.
Here is a work in progress. My own version of the Timeless – Suite for Ma Dukes album cover.
I wanted to capture Dilla’s intricate style, the classical elements, his layered loops and samples. I wanted to create something that looked elegant, intricate and, well, “timeless”.
Videos:
The Pharcyde – Drop (1995)
Raekwon – House of Flying Daggers (2009)
Janet Jackson – Got ‘Til It’s Gone (Ummah Jay Dee’s Revenge Mix) (1997)
Suite For Ma Dukes Orchestra – Untitled / Fantastic (A Tribute To J Dilla) (2009)
